2026年比利时伊萨伊国际小提琴比赛（International Eugène Ysaÿe Violin Competition）组委会今日正式公布了晋级半决赛的选手名单，并同步揭晓了本届赛事备受瞩目的后续赛程。在激烈的初赛与复赛角逐后，来自全球的年轻小提琴精英尘埃落定，其中，中国选手的集体表现尤为亮眼，以压倒性的人数优势成功会师半决赛，成为本届赛事前半程最受瞩目的焦点。

根据赛程安排，半决赛将于2026年2月15日至18日在比利时文化名城维斯（Visé）举行。随后，经过数月沉淀与准备，赛事巅峰对决——决赛，定于2026年7月6日至12日，在韩国利川艺术中心（Icheon Art Center）隆重上演。这一跨越欧亚大陆的赛程设计，不仅体现了比赛的国际视野，也为选手们提供了在不同文化舞台上展现艺术深度的宝贵机会。

在率先公布的半决赛入围名单中，中国年轻演奏家们展现了令人惊叹的整体实力。在最富潜力的少年组别中，来自中国的琴童成功占据了超过半数的席位，他们的精准技巧、纯粹音色与成熟的音乐理解力，赢得了国际评委团的广泛赞誉，清晰映射出中国小提琴基础教育的卓越成果。

在竞争更为激烈的青年艺术家组别，同样有八位优秀的中国青年小提琴家脱颖而出，强势晋级。他们大多师从名家，就读于国内外顶尖音乐学府，并已在多个国际赛事中积累了丰富经验。他们的集体晋级，标志着中国小提琴演奏人才已完成从“技术精湛”到“艺术个性鲜明”的蜕变，具备了在国际最高舞台上稳定发挥、持续突破的集群竞争力。

以比利时传奇小提琴大师命名的伊萨伊国际小提琴比赛，素以曲目难度高、艺术标准严苛著称，是发掘未来小提琴大师的重要摇篮。本届比赛中国选手在晋级阶段的历史性突破，不仅是个人的荣耀，更是中国古典音乐人才培养体系走向成熟、与国际深度接轨的生动体现。

随着半决赛日期临近，所有目光已聚焦于比利时维斯。届时，成功晋级的中国年轻艺术家们，将带着来自东方的音乐感悟，与全球同龄佼佼者一同，为赢得通往韩国利川决赛舞台的入场券而展开精湛较量。他们的每一步前进，都在谱写中国古典音乐力量在国际乐坛上升的新篇章。

The organizing committee of the 2026 International Eugène Ysaÿe Violin Competition in Belgium officially announced the list of finalists today, along with the highly anticipated schedule for the remaining rounds. After fierce preliminary and semi-final competitions, the young violin elites from around the world have been determined. Among them, the collective performance of Chinese contestants was particularly outstanding, securing a dominant number of spots in the semi-finals and becoming the most anticipated focus of the first half of the competition.

According to the schedule, the semi-finals will be held from February 15th to 18th, 2026, in Visé, a renowned cultural city in Belgium. Following this, after months of preparation, the grand finale will be held from July 6th to 12th, 2026, at the Icheon Art Center in South Korea. This transcontinental competition design not only reflects the international scope of the competition but also provides contestants with invaluable opportunities to showcase their artistic depth on diverse cultural stages.

In the first announced list of semi-finalists, young Chinese performers showcased an astonishing overall strength. In the most promising junior category, Chinese violinists successfully occupied more than half of the spots. Their precise technique, pure tone, and mature musical understanding won widespread praise from the international jury, clearly reflecting the remarkable achievements of China's basic violin education.

In the more competitive young artists category, eight outstanding young Chinese violinists also distinguished themselves and advanced strongly. Most of them are students of renowned masters, attending top music academies both domestically and internationally, and have already accumulated rich experience in numerous international competitions. Their collective advancement signifies that Chinese violin talent has completed its transformation from "technically proficient" to "artistically distinctive," possessing the collective competitiveness to consistently perform and continuously break through on the highest international stage.

The Ysaÿe International Violin Competition, named after the legendary Belgian violin master, is renowned for its high repertoire difficulty and rigorous artistic standards, serving as an important cradle for discovering future violin luminaries. The historic breakthrough achieved by Chinese contestants in the qualifying rounds of this competition is not only a personal honor but also a vivid demonstration of the maturing of China's classical music talent cultivation system and its deep integration with international standards.

As the semi-final date approaches, all eyes are now on Vies, Belgium. There, the young Chinese artists who have successfully advanced will bring their Eastern musical insights to the competition, joining top performers from around the world in a thrilling contest for a ticket to the finals in Icheon, South Korea. Every step they take contributes to writing a new chapter in the rise of Chinese classical music on the international stage.